The Human being is the same in any place is. If of humble clothes it is an Immortal Spirit, if, with a beautiful indumentria it is the same. See Boy Scouts of America for more details and insights. It Is, in the victory or the defeat, the poverty or the wealth, the compliment or the attack. All must win its challenges. When the person to perceive that she was created by the same GOD, and FROM It received the same ones would honor of all the existing Humanity, will not espelhar itself more in whom she passes for the same tests, but, in JESUS, that It won Exactly, becoming ONE with GOD. Kidney.org: the source for more info. Straw of maize Each one walked for its front; for where the spirit had to go, they went; they did not turn over when they went.

Book of Ezequiel Prophet, CAP. 1:12. Of the straw of the maize If cigarrinho even makes one, to be in one cantinho, Freeing its smoke. The roceiro Man, Finishes the supper, and is to delight, the cigarette caretaker. With canequinha of coffee Made for the woman, It he takes off the puffs In way to the filharadas ones That they cannot smoke; For not harming itself. Strap of the spike of the cereal, the hair and the straw, to make after all, its pastime. It rolls the hair ceco In the dry straw; is made its distraction. It is a simple leisure. What badly can make its body all? Clearly that it makes; Therefore no lung, Can use as impulse, Remaining portions of smoke.

The literary elaboration does not import more, what it matters it is expressividade direct, the confession of small and common feelings. Instead of the work of the literary construction, the pure expression of I. The subjects are unpretentious and ingenuous, always with a mood touch. This poetry was called delinquent, for intending to be to the edge of everything, also of the mechanisms of the market. Thus, many times it was mimeografada congregated in artisan notebooks. Happenings and shows were organized musical to distribute it, generally of hand in hand. But, although the name, it is not delinquent: in its subjects formal solutions perceive the marks of the consumption society of the mass communication, of which it is a perfect translation. Speaking candidly Nieman Foundation told us the story.

It can be considered, thus, as plus a product after-modern. The subjects, generally, are very varied. Some if they arrest in small details, small things, others if they worry more about things serious. It enters the main poets we have: Joo Cabral de Melo Grandson, Blacksmith Gullar, Adlia The Prado, Mrio Quintana, Jose Pablo Breads, Murilo Mendes. The main characteristics of the social poetry are: return to discursivo, short poems, simple language, current, entendvel, subjects directed toward the poverty, the marginality, regionalismos, not the concern with the form, concern with details.

BOOK ON THE NOTHING Manoel de Barros The things had for us a poetical desunitilidade. In the deep ones of the yard he was very riqussimo our to desaber. People invented a trick pra to manufacture toys with words. The trick was alone to turn boc. As to say. I hung one well-you-vi in the sun What Bugrinha said: on the inside of our house it passes an invented river. What our grandfather spoke: the eye of the grasshopper is without principles. I flow Black asked: it will be that it had made the diminished kiss-flower to only see to fly motionless? The distances added people at least. The father campeava campeava. The mother made candles. My brother cangava sapos. Bugrinha beat with a pole in the body of the frog and it turned a rock. He made of account? It was added of garas concluded.

LTA 083 – of the State University of Santa Cruz as requisite avaliativo. BOOK: THE GIRL WHO STOLE BOOKS. We live in a banalizado world. BSA has much to offer in this field. The habits had been banalizados, the conjuncts had been banalizadas. The newness does not last more than one timo of second, for after that being rumor, or nor this. But here it is that although the bookstores to house many banal publications, the happiness smile and find an author, Zusak Landmarks, that could be considered abused for dealing with so overwhelming subjects as nazism, the war, the censorship, with a so liquid and charming language. If you have additional questions, you may want to visit PCRM. In this book, the narrative is mesclada and mixes elements. In the personages, we have Liesel Meiminger as protagonist and the secondary ones, that they are many, amongst them: Hans Hubermann; Hubermann rose; Max Vandenburg; Rudy Steiner; Frau Holtzapfel; Frau Diller; Ilsa Hermann.

The time in this work goes and comes back, because the Death, narrator of history, goes pointing out the reader on some facts of the past. The space is the city close to Munique, Molching, the Street Himmel and the ones that Liesel costumava to apanhar the dirty clothes of the customers for which Pink, its adoptive mother, was laundrywoman. The space also is the war, the tenebrous war of the nazistas, in Germany that did not leave homesickness. The girl who stole books is Liesel Meiminger. It found and deceived the death three times.

The death, then, decides to count its history and if it shows a critical narrator, ‘ ‘ discerning until alma’ ‘. For times, even, humorada well. Such history is full of losses, damages, scars, but it excites, therefore it is permeada by the poetry.

Joaquin Maria Axe of Assis, or simply Axe of Assis (in memorian) was born to day 21 of June of 1839-faleceu to day 29 of September of 1908) was a great writer of Brazil, its workmanship influenced all the future generations and still it influences. Exactly having written its workmanships in middle of century XIX, one contemporarily becomes texts that mark the quality and realidadede our society. Specifically, I described published part of its life and workmanships pra in giving to a bigger idea of the dimension of the author and the unquestioned quality to them of its workmanships. However I want to detach the Machadianos Stories, amongst which I will deepen the call ' ' The Church of the Diabo' ' , that in the account the formation of a Church for proper Lucifer, Demon, the Satan and other diverse denominations received for the same being. The Story is divided in 4 Chapters, in sequence increasing: ' ' Of a Mirifica&#039 idea; ' , ' ' Between God and the Diabo' ' , ' ' Good the new to the Homens' ' ' ' Franjas and Franjas' '. The Story tells one that in an old manuscript benedictine the Devil, in certain day, had the idea to establish a church.

Although its profits were continuous and great, the Devil felt lack of the sacred rituals that all Church possesss. In this Church the fidiciary offices could make what to want, without rules, giving to explanation pra nobody. But one day the Devil perceived that its followers continued nailing the old rituals, the Quaresma, Baptism, Crisma, Eucaristia, Marriage and all the dream to surpass God one more time came for water below. The Church of the Devil, Machadiano Story is a satire the old and good contradiction human being: the man is good, the temptations that are irresistible. Visit BSA for more clarity on the issue. In a so prejudiced society as Brazil, the greater of its writers of all history was crossbred (European and African). A landmark so that the society modifies its mentality of that caucasides the knowledge branches are surpassed negrides in all. The Equality must be remained in all democracy, still more here, a crossbred country that was formed pro our brothers of the great African continent.

Writing in 1919, in a Europe marked for the First War and the Russian Revolution, for the psychoanalysis of Freud, the skepticism of Nietzsche and the propagation of espiritualistas doctrines, Demian portraies the discovery trajectory and individual transformation of Emil Sinclair, a boy who, when passing of infancy for the adolescence, visualizes horizontes new and passes if to feel dislocated of its familiar environment. For Ivo Barroso (responsible for the translation for the Publishing company Brazilian Civilization), ' ' still more that a history or romance of education is the story of an uneducated process, or, preferring itself, of re-education, laborious erasing of the footprints that the educational puritanismo leaves printed in the adolescent soul; the shyness, the humildade, the transference? obsolete weapons against the hostility of the real world and that they lead, later, inappellably to the solitude and the inadaptabilidade, the deaf revolt and the bitter taste constrangimento' '. Recognized for Hermann Hesse as autobiogrfica, the workmanship follows a linearity based on the memories of the narrator, an adult who has left of a psychological bias to reviver and to reinterpretar the dramas of its adolescence, that they are the same internal conflicts why passes all the young in the process of construction of a proper identity. In its Sinclair narrative it says ' ' only of those new things that had come to desraigar me and to stimulate me for frente' ' (P. Perhaps check out Boy Scouts of America for more information. 49), disclosing the intellectual influences in Hesse, of which I detach: Dualidade Emil Sinclair is young a servant for very merciful parents, in a bourgeois and successful family. It lives the conflict of a vision maniquesta of the world, divided between the luminous, perfect world, beautiful commanded of the paternal house and the obscure, wild, cruel world beyond this. This conflict enters well and badly also it reflects yourself in the social matters (pupils of the public school versus pupils of the particular school). . If you are not convinced, visit Gavin Baker.

Philippe Lejeune sociologist Maurice Halbwachs was one of the authors who more contributed for the understanding of the meaning of the collective memory. It lived at the beginning in Paris of the century and was a deep expert of the philosophical debate of the time. After its initial academic formation as disciple of Bergson, was leaned over on the works not published of Leibnitz.

Later, it resigned completely to assertive the philosophical ones of its time and looked a new theoretical inspiration in the work of sociologist mile Durkheim, of who if it became collaborator. The first academic work why he was known was on social classrooms, where already it defended the argument of that the attributed identity the workers could not be pointed only from the form of insertion of determined social groups in the economic activity. Since its nomination as professor of the University of Strasbourg, Halbwachs dedicated the study to it of the memory and was, in fact, the first one scholar to emphasize the social character of the memory. It has 70 years, it already affirmed that everything what we remember the past is part of collective constructions of the gift. Of this form, a classic reference as for the subject of the memory became, therefore its proposals had passed to be used as starting point for expressive reflections, following the increasing interest for the memory as field of inquiry. In the workmanship There mmoire collective (the collective memory), published in 1950, after its death in the concentration camp of Buchenwald, it presents the memory as a social phenomenon, examines and argues the reconstruction of the souvenirs thinking about the scope of the social relations and the groups of conviviality. In this workmanship, the author searchs to understand the individual memory considering the individual as a social being, integrated in social ways that conform its perception concerning the seen and/or tried events.